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国家艺术基金2020年度舞剧资助项目

彩票公益金资助——中国福利彩票和体育彩票

舞剧《姽婳·西游》

“The Demon Within·Journey to the West”

花台镜，明月影，一念皆有，一念皆空.

楊海龍导演作品

Directed by Yang Hailong

2020年国家艺术基金舞剧资助项目

2018国家大剧院中国舞蹈12天开幕作品

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2018年英国爱丁堡Dance-froms国际编舞作品展

2017年度第十四届广东现代舞周入围作品

人之所迷，因在局内；人之所悟，因在局外

One is often puzzled by situations in which he is involved; when thinking out of them, he sees it all clearly.

一个关于你、我、他的无解之谜耳听不实，眼见为虚在与自我和他人信任的重重迷障中我们该去向何处？

    It is a puzzle about us all, a puzzle to which there is no answer. Sometimes what we hear and what we see are both false. Facing numerous obstacles to trust between the self and others, what are we supposed to do?

是非真假难辨

佛魔善恶一念

世间诸般求索

莫如姽婳笑靥

    Truth and lies are hard to discern Buddha and Demon are separated by a thin line The quest never ends All for the demon inside

【作品简介】

       舞剧《姽婳·西游》由古典名著《西游记》生发而来，向至深的人性探寻而去。“姽婳”二字既暗喻“内心”若有似无的变化形态，以错乱怪异的谎言类比人物内心的喁喁私语。

       The dance play “The Demon Within” is based on the story of "Monkey King vs. White Bone Spirit" in the classic Chinese novel, Journey to the West. The play aims to explore human nature and all its complexities; the demon within implies one’s own internal demons as well as one’s ever-changing nature. The play’s title also rhymes with “ghost talk,” an analogy of lies to the characters’ internal monologue.

     作品并不致力于还原原著的故事情节，而是以其中笔墨最少的“沙僧”为视觉切入点，着眼于人物“内部矛盾”及“心理逻辑”。以仿佛“局外人”的视角渐入，从显而易见的“果”出发，层层剥茧抽丝找寻最初的“因”。